My Mistress Eyes Essays - Literature, Rhyme, Sonnet, Poetry

My Mistress' Eyes Essays - Literature, Rhyme, Sonnet, Poetry My Mistress' Eyes JR BRUNER Lit 100 January 16, 1999 My Mistress' Eyes In this piece, Shakespeare is by all accounts extremely reproachful of this present lady's physical shortcomings. I attempted to move toward the sonnet from a hilarious view to have the option to understand it and be alright with it. She is by all accounts of African or Middle Eastern drop by his announcement of the shade of her eyes and wiry hair. The primary line utilizes the most noteworthy piece of an individual's body, the eyes. He asserts that her eyes don't come close to the sun, they are dim and cold. She is of brown complexion by his reference to her being dun, dim or having earthy colored pigmentation. The second refrain I had an issue with, an individual can take it a wide range of ways. One impression I got was she may have had an issue with her eating regimen and simply had awful breath. The other was she may have been a despicable seductress. Shakespeare guarantees that different fragrances, perhaps meaning other ladies he saw as significantly more pleasant. While his special lady cusses like a mariner. Shakespeare utilizes as a model a goddess, whom an individual would acknowledge as having immaculate physical characteristics. His escort is by all accounts a huge lady who appears to have issues strolling.

How to write a winning tutor resume

Step by step instructions to Keep a Lake Healthy and Clean Living with a lake view can be an awesome method to feel near nature, to appreciate oceanic exercises, and to encounter the seasons as they pass by. In any case, possessing lakeshore property accompanies duties towards the natural wellbeing of the lake. To have the option to keep appreciating the normal magnificence and recreational exercises a lake brings to the table, and toâ keep your propertys esteem up, here are a couple of steps to consider: Limit Runoff Contamination is maybe the most immediate danger to a lake biological system. Without mechanical waste release, a great part of the toxins originate from precipitation overflow. Maybe the absolute most significant advance to forestall water contamination is to control the measure of toxin that gets into the lake washed in by precipitation. This can be cultivated through a few methodologies: Limit your garden territory. Keeping up a grass yard is regularly thought to mean the utilization of composts and herbicides and it is extremely hard to portion them exactly. Downpour will move abundance compost into the lake, which will animate malodorous, unattractive, and possibly harmful algal blossoms. Consider skirting the manure, and figure out how to live with a flawed yard. Even better, cut down on the measure of yard you have to keep up. Herbicides can be poisonous to sea-going life †on the off chance that you have to utilize them, spot treat the issue regions as needed.Capture overflow from impenetrable surfaces. Housetops and garages are instances of impenetrable surfaces, which don't permit water to permeate into the dirt. Rather, water gathers toxins and speeds off, adding to soil disintegration. These dirt particles end up in lakes, making sedimentation issues. Rooftop spillover can be caught with downpour barrels, and later used to water blossom beds. Street over flow can be steered into a downpour garden made of water-cherishing plants. The vitality of the moving water will be ingested, hindering disintegration, and the suspended particles will get kept in the nursery, rather than in the lake. On the off chance that you’re arranging another or substitution carport, consider porous ones made of pavers which lets run water through and arrive at the dirt. Secure Natural Shoreline Vegetation Exposed grass right to the shoreline may be a tasteful that interests to a few, yet it is terrible to a lake. It is essential to secure existing vegetation along the shoreline: the bushes and trees there keep the shallow waters cooler, forestalling unattractive algal blossoms and ensuring fish living space. The plants’ attaches clutch the shoreline soil, forestalling disintegration. A thick vegetation strip along the shore additionally goes about as a cradle, retaining poisons and silt streaming towards the lake.Replace lost or harmed shoreline vegetation by planting local species. Your neighborhood nursery ought to have the option to recommend quickly developing, tough plants adjusted to wet shoreline conditions. Debilitate Invasive Species When arranging your property, stick to local plant species, particularly along the shoreline. Extraordinary plants can get obtrusive and quickly spread along the shore, dislodging local ones and disturbing the amphibian environment. Harming invasiveâ plants incorporate phragmites, purple loosestrife, and reed canary grass.A basic route for intrusive aquatics plants to enter a lake is by hitching a ride on a vessel (an obtrusive animal varieties vector). Bits of green growth or plant can be stuck on a vessel propeller, or on the trailer, and be incidentally moved starting with one lake then onto the next. To keep away from this,â take safeguards before placing a vessel in and even better think about actualizing a pontoon examination station at the open pontoon incline. Numerous states have awards to help landowner relationship in subsidizing these assessments. Especially troubling are Eurasian water-milfoil and​ the spiked water bug, as they can profoundly change a lakeâ€⠄¢s biology and fundamentally modify recreational exercises. More amicable Fishing Innumerable lakes presently have obtrusive fish species that were presented by fishermen. Don’t be a basin scholar †just utilize local fish, crawfish, and bloodsuckers as trap. Numerous lakes have sea-going biological systems that have now been changed by the presentation of yellow roost, brilliant shiners, or rock bass.A especially slippery type of lake contamination is lead to lost tackle. Practice sans lead angling, and abstain from making the untamed life wiped out. Nut cases, grebes, ducks, and bald eagles are especially helpless. Practice Green Boating Speedboat exercises can be troublesome to a lake’s wellbeing from multiple points of view. Maintain a strategic distance from these issues by picking human-controlled alternatives: kayak, kayak, boat, or stand-up paddleboard.If you are utilizing a speedboat, favor four-stroke motors more than two-stroke ones. They have better mileage, less discharges, and are calmer. They additionally don't discharge unburned fuel into the water, which two-strokes do.Mind your wake. Slow down when you are close to shore, as the wave activity made by vessels can build shore disintegration, discharging dregs, and harm shoreline vegetation. Controlling Waste Water Follow existing neighborhood mandates for your septic frameworks. Guidelines indicate a base separation between the lake shore and your septic framework. Furthermore, customary investigations and upkeep will guarantee it works appropriately. Defective septic frameworks are a significant wellspring of supplement pollution.Mind the items that end up in your septic tank †one of the principle issues is the green growth taking care of phosphate in cleansers. Clothing cleanser is presently to a great extent sans phosphate in the United States, yet many dish-washing cleanser marks despite everything contain it.However enticing it is, abstain from washing in the lake. Shampoos and cleansers contain synthetics that are not well disposed to sea-going biological systems, in spite of the â€Å"biodegradable† or â€Å"all natural† marks on the container. Going the Extra Mile Join your lake affiliation and be a voice for protection. At the point when issues emerge, examine them and advance ecologically solid arrangements. In the United States, state branches of common assets for the most part have limnologists (lake researchers) who can respond to your inquiries. Also, many state colleges have agreeable augmentation administrations which might have the option to help you.Be associated with your provincial land trust. They might have the option to assist you with ensuring bits of shoreline property that are critical to the strength of a lake.

Free Destiny vs. Controlled Fate in Antigone Essay -- Sophocles

Destiny is an old discussed idea. Do one's activities genuinely assume a job in deciding one's life? Is destiny opportunity to a few or is it authoritative to other people, in that no individual can settle on totally singular choices, and accordingly, nobody is really free. These days, destiny is a subject frequently dismissed in the public arena, as it is viewed as too huge, excessively optimistic, and too difficult to even think about wrapping a people head around. Be that as it may, at the hour of Antigone, the idea was a frightening reality for a great many people. Destiny is the desire of the divine beings, and as is obvious in Antigone, the divine beings' will isn't to be addressed. A lot of Sophocles' work centers around the battle between human law and what is accepted to be the god’s law. Destiny was a relentless power and it was expected that any endeavors to change one's future were ridiculous. In Sophocles' Antigone, destiny assumes a vital job the decisions that t he characters make. A great many people accept that Creon and Antigone were affected by powers that they couldn't control, in the choices they made and the moves that they made. Regardless of Antigone's ethics and her act of those ethics, she can't get away from the family revile. She states, â€Å"You would feel that we had just languished enough over the revile on Oedipus† (prologue.2-3). Unexpectedly Antigone will endure an amazing remainder as a result of what her dad/sibling did. Her life had been shaken such a great amount by this family revile just Ismene remains, and she lost the exact opposite thing that made a difference to her- - her sister Antigone, who shockingly ended her own life. Antigone’s solid convictions in the god’s laws can truly be heard when she said â€Å"†¦Your proclamation, King, was solid, however the entirety of your quality is shortcoming itself against the undying unrecorded laws of god. They are not only now: they ... ...n offering at the special raised area however the divine force of fire bombed me so the fire never blazed† (5.10-22). The winged creatures may represent the family, two siblings slaughtering one another, Creon condemning Antigone to kick the bucket. Or on the other hand Antigone picking to hang herself which drives Haimon to attempt to execute his dad however getting slaughtered himself rather, and therefore Creon's better half ends it all. The divine beings don't show acknowledgment of this circumstance, on the grounds that the family has been bound into the destiny of death. A great deal can be found out about a writer by simply understanding their works. For example one can undoubtedly find out about Sophocles’ see on destiny just by understanding Antigone. Quite a bit of Sophocles' work centers around the battle between human law and what is accepted to be the god’s law. Sophocles accepted that Fate was a relentless power and it was expected that any endeavors to change one's future were totally unreasonable.

From Birth to Death in Sylvia Plaths Daddy - Literature Essay Samples

Sylvia Plath’s â€Å"Daddy† takes the reader through a journey from birth to adulthood in the life of the subject. Incorporating several strategies including imagery, sound and rhyme schemes, Sylvia Plath brings the reader through a journey as the subject deals with her father in various ways throughout the lifetime. Some interpret this poem as an autobiographical poem discussing Sylvia Plath’s relationship with her own father and certainly the personal aspects of the poem are compelling. However, the poem is intrinsically fascinating for the way that it depicts a particular father-daughter relationship as a dysfunctional one. The first stanza is very child-like and incorporates sounds to depict the woman as a baby. The first two lines â€Å"you do not do, you do not do | Any more, black shoe† is a piece of doggerel that is reminiscent of a child cooing (note the repetition of â€Å"do† as in â€Å"do do do†) and a jump rope line â€Å"one two button my shoe† very popular among toddlers and children. The stanza ends with â€Å"Achoo† which is the sound of a sneeze, but is also echoed in the end of the third stanza where she incorporates the German â€Å"Ach, du.† The second stanza depicts the relationship that the woman has to her father as a child and it’s the relationship that children have to their parents in the young years where their parents are imposing and foreign bodies. They can pick them up and feed them and clothe them. The declarative lines â€Å"Daddy, I have had to kill you† gives way to a description of the father as â€Å"marble-heavy, a bag full of God | Ghastly statue with one gray toe | Big as a Frisco sea!† This particular description is epic. Two statue images are in the poem with the second one referring to the statue from the Book of Daniel. The first stanza is the woman’s perspective as a child with the childish sounds of ‘do do do† and â€Å"achoo,† but the second stanza is the establishing relationship with the father who is an imposing figure and would be an imposing figure regardless of his relationship with the narrator. In short, he is God bolstered by images of statues and seas. The third stanza ends with the â€Å"ach, du† which introduces the incorporation of Nazi imagery into the poem. The fourth stanza hits that imagery pretty heavily since it talks about Polish towns and German tongue. The poet is depicting her father as the Aryan master with herself as a Polish victim of the Holocaust. The Holocaust imagery is not meant merely to shock but to also invoke a dysfunctional father-daughter relationship. This becomes even more apparent in the fifth stanza where she talks about how she could never tell where he put his foot/root. The doubling of the â€Å"oo† sound reminds the audience of a sigh. The last two lines of the stanza sound like a standard complaint between emerging adults and their parents. â€Å"I could never talk to you. The tongue stuck in my jaw,† are lines that work together in order to simply state the premise of this section of the poem. The Nazi allusions return in the sixth stanza where the subject speaks of a barb wire snare and expresses her lack of communication with her father in the second and third lines: â€Å"ich, ich, ich, ich | I could hardly speak.† The repetition of â€Å"ich† has a double meaning. On one level, it’s the author asserting herself by saying â€Å"I† four times; however, the sound that the word makes in repetition is the choked up sound of someone struggling to speak but unable to get the words out. It also sounds a little like vomit. So when the stanza ends with the narrator talking about how the German language is obscene and how she thought that every German was her father, she is engaging in a discourse where her father is the tyrant that overwhelms her. He has lost his stature as a lake or statue and has become a bully that uses the German language to get his way. The next three stanzas give the Nazi imagery in extremis. If her father is a Nazi, then she is a Jew. Dachau, Auschwitz and Belsen are invoked in one line. The snows of Tyrol are invoked as well as the clear beer of Vienna. In the ninth stanza, Plath writes â€Å"I have always been scared of you,† placing the Holocaust into the realm of the personal relationship. At this point, the poem’s strategy starts to become clear. The personal is political and vice versa. As Sylvia Plath expresses a dissatisfaction with the father figure, the metaphors and imagery become extreme and based in Holocaust imagery with her father as a Nazi and her as a Jew. This is especially important to notes since even with her father as a Nazi she could have stated that she was a young Aryan girl or an American. She is the victim of her father. The most compelling line for this poem is â€Å"Every woman adores a fascist† in the 10th stanza. The next two lines repeat that â€Å"oo† sound but surrounded by â€Å"B† and â€Å"t† sounds. The lines state â€Å"The boot in the face, the brute | Brute heart of a brute like you.† The oo sound of â€Å"achoo† which is open-ended and childish is now limited to the words â€Å"brute† and â€Å"boot† with their hard glottal stops. The â€Å"B† followed by the â€Å"oo† sound seems warm, but then it’s shut down by that end letter. In the 12th stanza, Sylvia Plath skips 10 years between the death of her father at 10 and her first suicide attempt at 20. In the 13th stanza, she talks about being put back together and how once recovered, she â€Å"made a model out of you, | A man in black with a Meinkampf look.† And this circles back on the previous topics as Sylvia Plath plays out the classic Freudian scenario of always trying to end up playing out the original relationships and dating one’s parents in different forms. As the narrator is free of the father, the narrator is with another â€Å"fascist† man who imitates her father. The 14th stanza is a recompilation of the pieces that have been brimming through the poem. â€Å"And a love of the rack and the screw. | And I said I do, I do. | So daddy, I’m finally through | The black telephone’s off at the root, | The voices just can’t worm through† Note how she is rhyming â€Å"through† with â€Å"through† in the doubling of the â€Å"oo† sound and the second line of â€Å"I do, I do† is both a recap of the opening lines of â€Å"do do do† and the frustration of the â€Å"ich ich ich ich† passage. She is momentarily regaining her childish origins even as she is self-identifying as a person who is merging with a man that is very much like her father. In the last two stanzas, the husband of the poem reveals himself to be a vampire instead of a Nazi. He’s fearsome, but he’s not a massive historical force that is destroying everything. Instead of the master fascist, he is the bloodsucker who takes her life force until she stakes him through the heart. Once the symbolic vampire killing is over, she becomes the villagers who are dancing and stamping around the father figure (whether it is the literal father or the very paternal husband). The last line â€Å"Daddy, daddy, you bastard, I’m through† separates the â€Å"D† sound from the â€Å"oo† sound at the end. In between there is a B-T combination only with a short sound. The first part of the line is the â€Å"ah-ee† combination for vowels while the end of the line is the ‘oo† sound in the word â€Å"through†. In the middle is the phrase â€Å"you bastard† which combines the â€Å"oo† and the double â€Å"a-a† sound. The rhythm is staccato but it ends in a calming â€Å"oo† meaning that the woman in the poem has gone through a chaotic journey with her father’s memory and she needs to break it â€Å"a-a† and then relax in a soft word like â€Å"through† to end the poem, which also rhymes with Jew. Thus, the poem which has Nazi imagery, allows for the author to engage in many stylistic methods in order to convey a soul at work with itself. Generally, the poetry is most in tune with the narrator when it has the â€Å"oo† sound (Jew, through, etc.) yet it conveys the fear of a distant father where communication between the narrator and the father might as well be Jew to Nazi. Finally, Plath changes the imagery from Nazi to vampire in order to convey that the husband carries much of the emotional baggage of the father, but he is not the father.

Morgan Laplante . Mrs. Rhodes . Pre-Ap English 10 . 13

Morgan Laplante Mrs. Rhodes Pre-AP English 10 13 February 2016 Happiness Is Not This A person’s happiness is completely different than that of the person next to them. In Fahrenheit 451, the society is given the idea that happiness is found in the fast life. Students crash cars, crack windows, and drive recklessly for fun. Schooling in this society is not even in the realm of learning. Instead, it is filled with sports, electronics, and everything but an education. Death is a quick cremation instead of a proper funeral and mourning. Adults not only have poor relationships with their spouses, but also their children. Despite all these things, to the people of the Fahrenheit 451 society, the weak human connections and speedy existence†¦show more content†¦Montag’s change of view in what happiness is, was replicated by Ted in the Lorax and perfectly represented by Furtado’s piece of art; happiness is not always what society says it is. Throughout the story of Fahrenheit 451 Guy Montag goes from being carefree about his current living situation to realizing that, there may be something more to life. Though meeting Clarissa throws Montag through the finish line, his journey away from society began long before Clarissa. She pushed him out of the darkness and into the light. His eyes were thrust open from her asking of one simple question; â€Å"Are you happy?† (Bradbury, Page 14). The question rocked Montag’s world. Montag says, â€Å"â€Å"Happy! Of all the nonsense.† He stopped laughing†¦ Of course I’m happy. What does she think? I’m not?† (Bradbury, Page 14). The society’s ways of living in the fast lane were happiness to him, until he discovered what lived within the books. In the beginning of the book, Montag was content burning the books, living in the fast lane, not having a full relationship with his wife. He was fine with living like everyone else in his society and turning a blind eye to occurrences that did not fit into the societyâ₠¬â„¢s ideas of happiness. As Montag began to read the books he stole, his eyes were opened to an entire new world. He begins to wonder about others and their feelings, and asks strange questions. When he asks his wife, Mildred, where they met, she has no problem withShow MoreRelatedManaging Information Technology (7th Edition)239873 Words   |  960 PagesHessa Albader Cover Art: Fotolia Media Editor: Denise Vaughn Media Project Manager: Lisa Rinaldi Full-Service Project Management: Integra Software Services Pvt. Ltd. Printer/Binder: Edwards Brothers Cover Printer: Leghigh-Phoenex Color Text Font: 10/12, Times Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on appropriate page within the text. Microsoft ® and Windows ® are registered trademarks of the Microsoft Corporation in the

HOW TO CHANGE YOUR OIL SPEECH OUTLINE - 846 Words

COM 181—9:30-10:15 Thursday September 26, 2013 How to change your oil General purpose: To inform Specific purpose: To inform the audience on how to change the oil in a vehical. Central Idea: Changing ones oil in a vehicle is a skill that could save you a lot of time and money I. Introduction A. When youre driving down the road and that mileage reading on your dashboard reaches 3000 what do you? The first thing that pops in your head is there goes another 50 dollars for an oil change. B. Almost everyone that owns a vehicle has had to take their vehicle in to a mechanic to get their oil change on their car. But if you want to save time and money you can always do it yourself. C. My father†¦show more content†¦iii. The oil should roughly take ten to fifteen minutes to drain completely. When the oil stops draining your ready to remove the oil filter. Just like before with the plug place the oil drain pan directly under oil filter. 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Change Management Reflective Review free essay sample

The concept of change is more important in our lives as it enables us to face new experiences, either it be good or bad. To be safe from bad experience of change, knowledge to manage the change is compulsory for everyone. Therefore, change management is the set of techniques, principal and skills to manage change of people to attain the stated result of change. * Self-evaluation Change Management enables me to understand the principals, challenges, methods of change and implementation of main changes in an organization. Now, I have skills to handle dynamic situations efficiently and effectively. It will also support me to lead and manage changes in my personal life by using self-awareness and self-management tools. Therefore I have the capability of self-analysis, to establish strong plans and implement them in an effective way for personal change and organisational change. In addition, from my experience of this subject’s classes, I can say that it also aided me to work in a group with different culture members and I felt comfortable and enjoy while working with the team because work was distributed among each member of the group. So no one felt the burden of work and it had also reduced stress. Key competencies of change practitioner/agent and comparison with my competencies Change practitioner may be an individual or a group who have technical skills of change which assist to lead and managing the activity of change. Change practitioner play vital role in the change process and also accomplish work effectively by using several types of competencies such as diagnostics, problem solving, communication, honesty, and so on. To know whether I have ability to act as change practitioner or not, I compare my abilities with the competencies of change practitioner in following manner: Change practitioner must have diagnostic ability which aids him to identify and clearly understand the obstacles and analyse their effect on short and long team organisation goals. Therefore it is used to inquire about the requirement of change. As a change practitioner I have ability to diagnosis the problem which breaks us to move towards mutual goals. For instance while doing group activity, I might face some problem to achieve effective results. At that moment I use my diagnosis ability to identify the problem with their impact on results and also classify need of change. While change process, problem solving ability of change practitioner, aids to determine reasonable solution of problems. He also motivates team members to accept new solutions. Then in return, organisations get positive results from the efforts of team members. After studying change management, I have ability to determine honest and reasonable solutions of problems, and ability to encourage other team members to accept new solution. Communication skill is great way to transmit the requirement for change in the organisational goals and in the responsibility and task of individual. So the practitioner communicates with employees or individuals for new ideas and plans to create effectiveness in the change process. In the context of my ability, I have the ability to transfer ideas to other persons without creating any misunderstanding. Honest change practitioner is essential for successful change. If agent is not authentic to his work, then it is misleading to others. Then in result, implementation of change has failed and productivity of organisation has come down. As per my ability I do my whole work in an honest way and also encourage others to accept authentic solutions of problem while changing. Hence, comparison between my abilities with change practitioner abilities reveals that I have required competencies to perform as a change practitioner. * Personal response to change and feel about change As per my point of view, responses to change depend upon the changing situation, if the change environment is favourable for me I choose to accept it and feel happy and motivated. On the contrary, uncertainly changed environment is unfavourable for me I choose to resist the change and feel stressful. I clear this point with the support of an illustration: I am employee in an organisation. The organisation announces that we are going to increase the salary of employees. Consequence, my personal response to change in favour and I would accept this change. On other hand, unfortunately if organisation announces that we are going to reduce the salary of employees due to recession in market then I choose resist the change and come in to stress In my sight, change shows real image of individuals to the organisation. Those individuals who accept change in a positive manner and those who struggle to survive in change environment. It indicates positive attitude or image of individual and organisation can have faith in them. On the contrary, if individual refuses to change and work against organisational goals then this individual shows unfaithful image to the organisation. Moreover, I personally feel that change is vital for me or anyone because it gives opportunity to face new challenges, technologies and people, and increase ability to make prompt decisions in change environment. It also gives an opportunity to create new policies to solve obstacles and resist with change. Lead and manage to change To survive long term in competitive world, profit or non-profit organisations have required change according to the change business environment such as globalisation, technological changes and uncertain events. There are several models developed to manage and lead the change. These models are Lewin’s change model, Kotter’s 8-step model and action research. With the support of management I would like to follow kotter’s 8-step model to manage and lead to change in the organisation. By following the steps of these models * Firstly, I create urgency of change in the workplace and communicate with others to view the need of change and importance of preforming promptly. * Secondly, I establish a guiding association of individuals to lead change and encourage association to work as a team. * In third step, I build a strong vision to assist the change efforts and also develop a plan to attain the stated vision. * In forth step, I communicate change vision and plan of attain it with team members by assistance of guiding association. In fifth step, I try to remove all obstacles to change and encourage to team member for taking risk to achieve stated vision of change * In sixth step, I generate short term wins and also give reward and recognise to that members those are involved in the improvement. * In second last step I support to current progress by promoting or hiring new members to attain vision and also refresh the process with new change agent, projects and ideas etc. * At last, I establish connection b etween new behaviour and organisational success by aids of developing leadership quality. Therefore, this model more suitable for change at a large scale in the organisation and give best direction to employees to deal with change environment in an organisation. * My ethical approaches and Impact on change process According to Dr. Albert Schweitzer, â€Å"Ethics is the name we give to our concern for good behaviour. We feel an obligation to consider not only our own personal well-being, but also that of others and of human society as a whole† (Maddux amp; Maddux, 2010). As per my consideration, ethics are the guidelines and principals governing behaviour through which I live my life and assist to take ethical decisions. Ethics have importance in change process. While dealing with change, my ethical behaviour would impact either in positive or negative way. For instance, predict I am working in an organisation as a production manager. Due to change in business environment, I decide to change in technology of production and also share every aspect of change with the high level management, employees of production department and each individual who involve in change process and also share my past experience with them so they would motivated and encourage towards change. In result, change will implement successfully and it shows my honesty, fairness towards every stakeholder in the organisation. On the other hand, if I decide to change without consulting with other parties. Consequently, it will reveal my unethical behaviour. Hence, ethical framework in the change process supports to make ethical decision and take action and it also re-evaluate the performance of me while change process . My ethics also allow me to encourage others with fair and straightforward thoughts so others can have faith in me. * Conclusion At final point, this reflective report tried to reveal the principals and other aspects of change which I acquired from change management and I have learned lots of things from the forums discussed in the subject classes. I have learned change agent competencies which will be beneficial for my personal life. It also gives knowledge about different methods of handling and lead to change in organisation or in personal life but I would like to follow Kotter’s 8-step to lead and manage the change because it gives successful result of change. It also reflects my response to change is dependent upon the situation feeling about change is positive because change gives a chance to learn something new in life. While change process, my ethical framework supports to me create belief, reputation and fairness in the eyes of others. I consider that based on change management that I have reviewed in this report I will be able to implement these in the future. I look forward to continuing to learn more about change management. Bibliography Biech, E. (2010). Leading Change: A Conversation with John P. Kotter. In E. Biech, The ASTD Leadership Handbook (pp. 89-102). United States of America: American Society for Training amp; Development. (2012). The change Agent. In E. Cameron, amp; M. Green, Making Sense of Change Management, 3rd edition (pp. 251-254). New Delhi: Kogan Page. LaMarsh, J. (2010). Change Better : Surviveand ThriveDuring Change at Work and Throughout Life. Chicago: B2 Books. Maddux, D. J. , amp; Maddux, R. B. (2010). Defination of ethics. In D. J. Maddux, amp; R. B. Maddux, Ethics in Business: Manage With Authority and Fairness, Second Edition (p. 7). United States of America : Axzo Press.

Music and the Healing Wings Essay Example

Music and the Healing Wings Paper Music has a great advantage; without mentioning anything, it can say everything (Ehrenberg). This statement gives, in a nutshell, what this essay contains. The elements of music; its power, influence and affects on both the modern world and the past one alike. Music is a combination of rhetoric and emotion. Just as the â€Å"I have A Dream† speech by Martin Luther King, Jr. empowered a people to envision positive days ahead music inspires the moment in an unforgettable way. This essay explores the different facets of music and its use with special focus given to its healing and wellness qualities. Dr. Alice Cash has a master’s degree in Social Work and combines that with a PhD in Musicology and has devoted her life to helping people through the avenue of healing music. We will write a custom essay sample on Music and the Healing Wings specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Music and the Healing Wings specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Music and the Healing Wings specifically for you FOR ONLY $16.38 $13.9/page Hire Writer An accomplished musician herself, she is wonderfully skilled in both the demonstration and application of the most current musicology and music therapy concepts and principles. Her warm and dynamic nature helps make her workshops informative, timely and enjoyable for participants at large (healingmusicenterprises.com). In order for the understanding to accept something like this can actually be done, it helps to know the qualities of music and the many uses for it. From the dawn of time some form of music has existed. Whether it is the beating of the drums in the deep jungles of a tropical nation, or the melodic memories of the music you grew up with, music has always had a significant role to play. When thinking about the uses of music it behooves the scholar to understand the message that particular types of music hold within themselves. It is commonplace to see people jogging down the street with iPod’s strapped to their arms listening to what has to be understood as ‘running music.’ When the exercise programs on the television start their shows they usually begin with some slow music to aid the athlete in a proper stretching exercise before beginning the rigorous exercise that will leave them breathless, yet feeling great.   In an interview by a female classmate with a twenty-three year old heavy truck salesman she learned: Music is just a part of life. You live with it all the time so it’s tough to judge what it means to you. For some people it’s a deep emotional thing, for some people it’s casual. I turn on the radio and it’s there in the morning; it’s there when I drive in; it’s there when I drive out (Crafts, 109). Reasons for listening to music has as many variances as there are genres of it, but one thing is clear: it is rhetorical in nature and it has a message. There are certain recognizable melodies that hold special meaning to different people, but then there are those melodies that have the same meaning to a very large group of people like states or even nations. This fact alone is enough to explore the hidden qualities of music and see what might be possible with the directed use of it for a specific purpose. For example, when your football team scores a touchdown, the band is not going to play a waltz, they are going to play something upbeat and exciting. Just as this is true, it is also true that music has wellness properties to it. The first one to explore is rhythm. A very simple, but effective illustration of this is the song we learn as small children. Read the following lyrics and see how it makes you feel: ‘If you’re happy and you know it clap your hands.’ This is usually followed by two claps of the hands and gets children excited. In more sophisticated terms: it activates their minds and causes them to move around. My point is this: without the use of any musical instrument, the song will still get children excited. Why? Rhythm. You put your right foot in, you take your right foot out, you put your right foot in and you shake it all about. These words also activate the energy in the little children. It is healthy for them to be active and if the songs make them move about they are getting exercise and thus the rhythm of the music is used for wellness. People are currently using in-the-moment music-making with rhythm instruments for the following types of events:  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   ChildbirthBirthdaysWeddingsFunerals and Memorials  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Private Parties FundraisersCorporate Trainings  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Childrens Day CampsYouth-at-Risk Programs  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   School University ProgramsProfessional Conferences  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Wellness FairsHealing CirclesMens and Womens Retreats  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Well-Elderly ProgramsAssisted Living Centers  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Retirement CommunitiesSenior Community Centers  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Spiritual Gatherings CelebrationsMeditation Services  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Community Festivals of all types (circles4drumming.com). Musical traditions were founded upon the principles of rhythm and have added many ‘flavors’ to the music tradition. Funk is one of those flavors. This is a good example because a term used by Mayor Nagin of New Orleans to encourage its people to get back to what the city was known for before Katrina, namely a particular type of music called ‘Funk.† With most listeners not knowing the reference he gave to the music genre, he found himself apologizing to those who took it as a racial remark. The term he used was ’Chocolate City.’ This is actually a song performed by a band called Parliament. It was purely a genre of music that was popular in the seventies and found a home away from home in New Orleans (amazon.com). The American Music Therapy Association, founded in 1998, boasts of 3800 memberships to present date. Their sole purpose for existing is the development of the therapeutic use of music in rehabilitation, special education, and community settings (AMA website). When study is devoted to this unique quality of music, scholars are finding many different ways to use it to help medicine in its fight against fatigue, stress, and even muscle tension. The media has played on the subject of music and what it means to people in everyday life, but in their action movies you expect some sort of high-powered music to enthrall you into their entertainment. Love songs are called love songs because of the interpretation of love in direct correlation to the song. It can be the lyrics, but it doe not have to be; it can simply be the basic rhythm that soothes or pumps the individual up. John A. Carpente, MA, NRMT, CMT at the Rebecca Center for Music Therapy published a case study involving a boy with multiple impairments and how he was able to help him communicate through music therapy. Music played a key role in rehabilitating this boy into a person who could communicate on a level that previously was impossible. The testimony of his mother:   Ã¢â‚¬ ¦ His father and I were always looking for a key to tap into Mikeys abilities. And with music therapy, I think we found a way to approach my sons abilities. It is actually one of the few therapies that we think reaches Mikey. He started working with John last September. Mikey recognizes John and plays musical games with him. That is a big step since he does not acknowledge many people. The naked eye may not see any changes in Mikey, but his Dad and I do. Instead of spinning around in circles, he actually dances to music. And just the other day, he took a can and played with it as a drum. It was so typical, just like other kids. All I could do was cry because instead of seeing a temper tantrum or a bizarre play skill, I saw a typical kidmy typical kid. Music therapy is one of the things that create an equal playing field forMikey, and for that I am very grateful (http://www.therebeccacenter.org/ library/casestudy1.html). Music is an art, so this brings a new gambit of thoughts concerning art in general. People have been known to stand in front of a painting or sculpture for hours. Could they be contemplating life’s ordeals, meditating, allowing some power the art has on them to do what is needed while they are there? Was there a real medicinal property to Shakespeare’s comedies? The only thing that will ascertain these answers, and quite possibly create more, is to get involved in the study of some particular art that affects you. It is quite possible that the true depth of healing in the arts is just beginning to be realized by more than just a crazy few. What is just as interesting is the level we understand other aspects of life and how far we have missed the medicinal properties of the arts in general. People tend to behave strangely when they are deriving some medicinal answers through the medium of art. For example, chick flicks is a genre of movies that helps to build relationships simply because the male partner in a relationship is more likely to watch one with his partner. While experiencing the ups and downs of the movie the relationships on screen get compared and contrasted to the real relationship of the couple watching the movie. One reason that nightclubs fair well on the weekend is because relationships are in need of a place to let off the stress of a busy week in the office and this is really a constructive way to do it. This is not to say that nightclubs will solve all relational problems, but they do offer the dancer a way to release pent-up emotions. Just as people find themselves hooked on drugs or alcohol and need to replenish what the body craves, so does the body crave natural ways to relieve the pressures of life. Think about the elements involved. Music, this means rhythms are going to be bouncing around the room and that will be accompanied by musical notes to add to the flavor, and before one realizes what is happening their bodies are in the process of ‘letting go.’ This is healthy; especially for the couple realizing the benefits of ‘clubbing.’ This is just one aspect of the arts doing something constructive in society. Human interaction is becoming more difficult in America as our nation becomes more intercultural. This can be viewed as a problem or an opportunity. Because it is impossible to separate the man and his native culture, America now has many cultures within its own culture. For example, Asians that have moved here have a dream of a better life or education or have some personal reason for moving to America, and they recognize their limitations caused by the lack of understanding English as opposed to their native language, but they come anyway. They come because of the benefits we, as Americans, can offer them. However, they also offer some benefits to us. One of these is music. The use of sound as a healing tool dates back thousands of years. Now, the field of sound healing is gaining considerable attention, as sound pioneers promote the healing benefits of music, tones and instruments. Jonathan Goldman, director of the Sound Healers Association, is one of the leading experts in the field (Dykeman). It is no secret that music can soothe, excite, incite, and even assist in hypnosis, so to say that music can be used as a healing tool is not as far a jump as one would think. Given the right atmosphere, almost always provided by music, you can move people to do things they would not do otherwise.If eno ugh thought is given to the subject and how it plays in our everyday lives we discover that we use it to announce a birth, to celebrate a birthday, New Year, Christmas, and almost every other holiday that can be thought of; we use it in church, at weddings, and funerals and of course, lest we forget, graduation. To think of life without it would be like going into the forest and not hearing the birds singing or the wind blowing through the trees. We are so inundated with music that trying to view life without it is nearly impossible. To ask what life would be like without music would be to try to describe a bird without a chirp. When Goldman was asked by Dykeman to describe sound healing he explained something that was a unique description of life. First, let me point out that modern science is now in agreement with what the ancient mystics have told us—that everything is in a state of vibration, from the electrons moving around the nucleus of an atom, to planets and distant galaxies moving around stars. As they’re creating movement, they are creating vibration, and this vibration can be perceived of as sound. So everything is creating a sound, including the sofa that we’re sitting on, or this table, or our bodies. Every organ, every bone, every tissue, every system of the body is creating a sound. When we are in a state of health, we’re like an extraordinary orchestra that’s playing a wonderful symphony of the self. But what happens if the second violin player loses her sheet music? She begins to play out of tune, and pretty soon the entire string section sounds bad. Pretty soon, in fact, the entire orchestra is off. This is a metaphor for disease (Dykeman). If this is true, and from all scientific proof it is, then healing can take a much less invasive approach to the process. Obviously, there are medical procedures that cannot be replaced by sound, or music healing, but the recovery process can be a lot less stressful and painful if applied properly. It should be stated that music can and is being used in a negative sense, as the interview with Goldman reveals, and since that has been proven to be true, all that is left is for people in the medical field to tap into the resources they have at their disposal and prove the opposite can also be true of music. Some surgeons like to have music played while their in surgery for various reasons, so in a directly connected way, music is already playing a bit-part in the healing process of the human body. From a purely medicinal viewpoint, nurses in hospitals are the more authoritative voice. Many of them will tell you that the healing process is the hardest facet to having surgery. The doctors did their part, but as far as the patient is concerned, the nurses that tend to them while healing are the ones who should really get applause. The doctor had a captive audience; the nurses have to interact with us while we are in pain for what the doctor did to us in the operating room. Many patients, when telling of their hospital experience, will invariably say something about the nurses who tended to their needs while healing. Florence Nightingale described the major responsibility of nursing as that of putting the patient in the best place for nature to work upon him or her for healing (Nightingale.1859/1946, p. 6). Music can be used to positively manipulate the hospital environment to foster spiritual, psychological and physical healing. Sound is an integral part of any environment and may have an impact on health and well being. Florence Nightingale provided music as part of the healing process for injured soldiers in the Crimea, and described how her nurses used voice and flute melodies to provide a beneficial effect on soldiers in pain (McCaffery). The nurse, who is the really the unsung hero in the healing process, should be the focus of energy to the development of every possible avenue that can be placed at their disposal to help alleviate some of the inevitable tension that will be felt as there are usually too few nurses available in ratio to the patients as they come to recover in a hospital room. Everybody listens to music. The argument could be made that what is music to one could be nothing more than noise to someone else, given all we know about the arts; the time that every college student has to endure in fine arts classes as general education classes needed to obtain any type of degree; given the fact that colleges pay fine art teachers real money to teach something that is most thought of as â€Å"a class I have to take,† music should be given way more attention than it has from the medical field in the past. The argument holds merit only as the teachers, doctors and nurses allow. People may not understand languages because they are separated by large bodies of water, but music can cause them to have common ground. Just because the language is different there does not have to be a barrier with music. Again, facing ambivalence from the skeptic, the nurse has to be the one who walks into the patient’s room when they are cranky due to the pain of healing. Why not make their job easier by providing some training, as part of the regular curriculum, in music and its various uses in the field of medicine. With all they face, this could cause the barrier to be removed. Maybe it is not the universal language, but it is ranks right up there with the top ones. Music is the wind beneath the nurse’s wings that leaves the patient’s room filled with healing sounds. References Ehrenberg, Ilya. (1943). A comment on the premiere of Shostakovich’s Eighth Symphony. Music as Propaganda, 1985. inside cover. Cash, Alice Dr. (2007). About Dr. Alice Cash. Healing Music Enterprises. Retrieved 24 April 2007 from, http://healingmusicenterprises.com/Alice_Cash.html Crafts, Susan D., Cavicchi, Daniel, Keil, Charles. (1993). Music is Just Part of Life, Like Air. My Music. Middletown, CT: Weselyan University Press. Vivian, Giselle Felicia. (2007). One Heartbeat Rhythm Circles. Project Heartbeat. Retrieved 24 April 2007 from, http://www.circles4drumming.com/ Parliament. (2003). Chocolate City. Parliament. 24 April 2007 from, http://www.amazon.com/Chocolate-City-Parliament/dp/B00008RV18 AMTA Website. (1999). Music Therapy Makes a Difference. American Music Therapy Association. Retrieved 24 April 2007 from, http://www.musictherapy.org/about_ind.html Carpente, John, A. (n.d.). Creative Music Therapy With a Boy With Multiple Impairments: Stepping Out of Isolation into new Experiences. Retrieved 24 April 2007 from, http://www.therebeccacenter.org/ library/casestudy1.html Dykeman, Ravi. (2007). The Sound of Healing: an Interview with Jonathan Goldman. Jonathan Goldman’s Healing Sound. Retrieved 24 April 2007 from, http://www.healingsounds.com/articles/nexus.asp McCaffery, Ruth, Dr. (September 2001). The Healing Environment and Music. Nurse to Nurse. Retrieved on 24 April 2007 from, http://www.msnnurse.com/templateSubmit.asp?SEC=NurseToNurseDetailsId=12

The Pastry War (French Mexican War, 1838 to 1839)

The Pastry War (French Mexican War, 1838 to 1839) The â€Å"Pastry War† was fought between France and Mexico from November 1838 to March 1839. The war was nominally fought because French citizens living in Mexico during a prolonged period of strife had their investments ruined and the Mexican government refused any sort of reparations, but it also had to do with long-standing Mexican debt. After a few months of blockades and naval bombardments of the port of Veracruz, the war ended when Mexico agreed to compensate France. Background of the War Mexico had serious growing pains after gaining its independence from Spain in 1821. A succession of governments replaced one another, and the presidency changed hands about 20 times in the first 20 years of independence. Late 1828 was particularly lawless, as forces loyal to rival presidential candidates Manuel Gà ³mez Pedraza and Vicente Guerrero Saldaà ±a fought in the streets after a hotly contested election. It was during this period that a pastry shop belonging to a French national identified only as Monsieur Remontel was allegedly ransacked by drunken army forces. Debts and Reparations In the 1830’s, several French citizens demanded reparations from the Mexican government for damages to their businesses and investments. One of them was Monsieur Remontel, who asked the Mexican government for the princely sum of 60,000 pesos. Mexico owed a great deal of money to European nations, including France, and the chaotic situation in the country seemed to indicate that these debts would never be paid. France, using the claims of its citizens as an excuse, sent a fleet to Mexico in early 1838 and blockaded the main port of Veracruz. The War By November, diplomatic relations between France and Mexico over lifting the blockade had deteriorated. France, which was demanding 600,000 pesos as reparations for the losses of its citizens, began shelling the fort of San Juan de Ulà ºa, which guarded the entrance to the port of Veracruz. Mexico declared war on France, and French troops attacked and captured the city. The Mexicans were outnumbered and outgunned, but still fought valiantly. The Return of Santa Anna The Pastry War marked the return of Antonio Là ³pez de Santa Anna. Santa Anna had been an important figure in the early period after independence, but had been disgraced after the loss of Texas, seen as an utter fiasco by most of Mexico. In 1838 he was conveniently at his ranch near Veracruz when the war broke out. Santa Anna rushed to Veracruz to lead its defense. Santa Anna and the defenders of Veracruz were soundly routed by superior French forces, but he emerged a hero, partly because he had lost one of his legs during the fighting. He had the leg buried with full military honors. Resolution to the Pastry War With their main port captured, Mexico had no choice but to relent. Through British diplomatic channels, Mexico agreed to pay the full amount of restoration demanded by France, 600,000 pesos. The French withdrew from Veracruz and their fleet returned to France in March of 1839. Aftermath of the War The Pastry War, considered a minor episode in the history of Mexico, nevertheless had several important consequences. Politically, it marked the return of Antonio Là ³pez de Santa Anna to national prominence. Considered a hero in spite of the fact that he and his men lost the city of Veracruz, Santa Anna was able to regain much of the prestige he had lost after the catastrophe in Texas. Economically, the war was disproportionally disastrous for Mexico, as not only did they have to pay the 600,000 pesos to France, but they had to rebuild Veracruz and lost several months worth of customs revenue from their most important port. The Mexican economy, which had already been a shambles before the war, was hit hard. The Pastry War weakened the Mexican economy and military less than ten years before the much more historically important Mexican-American War broke out. Finally, it established a pattern of French intervention in Mexico which would culminate in the 1864 introduction of Maximilia n of Austria as Emperor of Mexico with the support of French troops.

Land law Essay Example | Topics and Well Written Essays - 1500 words - 4

Land law - Essay Example If the court issues an order to seize the property of the debtor after the judgment, it is called writ of execution. It must be noted that attachment is a prejudgment remedy either at the time of a lawsuit or immediately after it is filed. However, the final decision is taken by the court. The United Kingdom does not have unique or singular law regarding bankruptcy. England and Wales follow same system whereas Northern Ireland and Scotland have another system of their own. If the given scenario is related to Scotland or Northern Ireland, and if the property is the home owned by Bill, then the section 40 of the 1985 Act will be applicable to the case. Instead, if the system of Wales and Ireland is applicable to the context, Alan will have to rely on the Part IX of the Insolvency Act 1986. At this juncture (as the jurisdiction is not specified) the system of Northern Ireland and Scotland is taken for case analysis. The section 40 of the 1985 Act protects the interests of the debtorâ₠¬â„¢s (here Bill) family and prevents the creditor (here Alan) from selling the debtor’s ‘family home’ without either ‘relevant consent’ or a court order. ... esent or former spouse or civil partner without the debtor, or by the debtor without a spouse or civil partner but with a child of the family† (Insolvency - personal and corporate, n.d.). Hence, if Bill’s property is the family home, Alan needs to comply with the section 40. This section clearly states how the consent can be obtained for the proceeding of the sequestration of a family home. Referring to section 40, if Bill’s spouse, civil partner, or former spouse or civil partner lives in the home (with or without the debtor), it is necessary to obtain the consent of the spouse of civil partner to proceed with the sequestration (Insolvency - personal and corporate). If the debtor lives in the home with a child but without a spouse or civil partner, then the ‘relevant consent’ can be obtained from the debtor. If the ‘relevant consent’ is not obtained from the parties concerned, Alan has to obtain a court order to attach the property of Bi ll (ibid). In this case, it is advisable for Alan to obtain a court order because other options may not be so sensible. B. the property is a tenanted office block Under this case, attachment of property will be a difficult task if the agreement between Bill and the tenant was formed before the agreement made between Alan and Bill. It is the duty of the creditor to make certain that the security offered for the borrowing is free from any liability arising out of issues like tenancy. Hence, if Bill’s office block was tenanted at the time of the agreement between Alan and Bill, Alan cannot attach the property of Bill unless the tenant is willing to vacate the office block. On the other hand, if Bill’s office block was tenanted after the agreement between Bill and Alan was made, Alan may get a court order for the

Fiscal policy and regulation Term Paper Example | Topics and Well Written Essays - 2250 words

Fiscal policy and regulation - Term Paper Example The scope of Fiscal policy is wide and involves several government functions all of which are aimed at ensuring spending is contained and restricted to those areas cum sectors where they have the greatest and positive effect on the economy. (Creel et al pp.8) The main entities for the fiscal policy are government revenues, government expenditures and debt management. Fiscal policy is usually as a result of a well thought process mainly involving the best economic minds that a country may have who are organized as Public Service Program or Capital Improvements Program. This paper will examine the various aspects of Fiscal Policy and its use by the government to achieve its various economic milestones. (Weil pp.1) Besides these, we will look at the main proponents of the Fiscal policy and the main reasons that fail the working of the policy. At the end of this essay, the reader should be able to understand fully the workings of the Fiscal policy and its various aspects. In the end, one maybe able to give an indication of why Fiscal policy may not work as intended. It is important though to note that though the impact of economic changes are felt by certain groups in the economy such as family units especially when the government offers tax cuts, the disposable income of this family increases. (Mont pp.75) The fiscal policy is not aimed at an examination of such mild changes or impacts but is focused on the effects of changes in the government budget as a whole. Fiscal policy is usually looked one sided but a study of it reveals two types of fiscal policies which are not necessarily founded on different bases but are as a result of budget movement. These budget movements on the other hand are determined by the finances available to the government for the purpose of meeting its budgetary requirements. (Creel et al pp.32). These are either budget deficits or budgetary surplus

Health Development in Africa Essay Example for Free

Health Development in Africa Essay Throughout the world there is a growing concern about health as it is regarded as an essential part of the sustainable human development efforts. The growing importance of the health of the population is being highlighted in the economic circles, the foreign policy and the socio cultural settings. During the last 25 years, there has been drastic realization about health issues in the developing nations, which has given them hope of a better future for their children. Africa is one such region where poverty and hunger is widespread. This is the region where health care facilities are underdeveloped due to which many people face death. This paper, therefore, aims to devise and develop an essential health development policy, program and strategy for African region in order to eradicate the poverty. This forms the main thesis of the research paper (Mills, 1995). The role of health development has been gaining importance in the Africa and different countries are assisting the efforts by providing increased resources, which has put huge pressures on the weak health structure, organizational capabilities and workforce in one of the poorest regions of the country. There is a severe lack of planning and management of the health resources in this part of the world which has led to non- implementation of the health plans. The problem in the African region has been largely related to poverty, wars and conflicts, bad governance and non performance of health programs. This region also faces a huge virus of HIV and AIDS which increase the burden of disease (Loewenson, 1993). The domestic and international health polices for Africa have been drafted by international agreements of multiple countries which include Alma Ata Declaration of 1978, World Health Organizations Bamako Initiative in 1987 and Paris Declaration of 2005, and including many more. The famous Alma Ata, known as the birth of primary health care or PHC, aims to provide a comprehensive and affordable health plan by providing health facilities at the most basic level. However the PHC failed to achieve its targets due to lack of infrastructure and facilities, staff, civil wars, natural disasters and issues of bad governance and corruption. Later various new international policies were tried which included the structural adjustment plan of the World Bank which was based on loans, privatization and cost recovery, however it failed to deliver due to various reasons (Sikosana, 2009). The Bamako Initiative was launched in 1987 which was aimed at access to quality health care and tackle the scarcity of medicine by a number of balanced policies which were implement able and are the perfect health development plan for the impoverished region of Africa. Together with the World Bank 1993 report, both the policies aim at providing the healthcare at the grass root level in order to eradicate poverty (Mills, 1995). The recommendations include improving primary healthcare at all the levels in an equitable manner which should be available to all the people at any income level. Another recommendation includes the decentralization of the management of the PHC to the district level as oppose to the earlier practice which limited the control to few big hospitals which was the reason for corruption and bad governance. The government should ensure equity of fees charged at all levels which would ensure homogeneity of services to rich and poor alike. The government should be highly committed to maintain and expand the PHC program and all the national health policies should be inline to one standard policy. The government should also closely monitor the whole policy implementation process and ensure services to the poor. Sustainable effort should also be made to for poverty alleviation through education, gender equity, improved mother and child health programs and AIDS control programs. For the African health problems, the policymakers should make integrated national plans and strengthen the health systems by empowerment, equity and sustainability of the efforts. The public private partnership is also essential for the sustainability of the strategy (Sikosana, 2009).

Media Role in the Presidential Election Essay -- Politics Government

Analyzing elections The Medias rules of an election change the face of the election itself. They are, if you may, the gatekeepers of information, in a time where the information we get will form the issues of the election. If the news tells us tomorrow that the stock market dropped 410 points today but did not tell us that the U.S. embassy in Iraq was bombed then what do you think we will care about the most. Each channel of media has its own biased. Fox news is leaning toward the right and CNN is leaning toward the left. Its near impossible today to hear a news story or coverage without any spin. Old papa bear (Bill O'reily) says that his show is the no spin zone but is it really, even after he pretty much cussed out Barack and the king (Larry King) does the same to McCain. The media has so much power in society that they could pretty much could decide who will be the next president. Not only do they directly influence the opinion of voters but they also can decide on who to give the resources to or basically who they think is more likely to win. The media can be hostile to the candidate like they were to Howard Dean in 2004 or they can boost them like they did to Reagan. Obama has seemed to play this media like Babe Ruth plays Baseball, and McCain, well, he played them like Shaq plays soccer. Obama hit the hearts of many Americans as well as the media by tapping into their hearts and pulling out that desire to change. McCain preached this too but not till later in his campaign and he stayed in his parties guidelines when he did it. Obama went out of his parties guidelines in some ways and the media saw him as a nonpartisan contender (when he really was not). He gave many inspirational speeches in which the pu... ... of people did not see that McCain played the sex card but rather they were just happy to see a Woman in the white house. We do not really know who our candidates are and what they stand because the media is fixated on polls, controversy and spin instead of the issues. There were more stories about what Palin did today with her kids than what she wanted to do with foreign policy. One might say that media might have rigged this election for Obama because they always displayed his inspirational speeches while emphasizing on McCains bad side. However if you really look into it, the media actually never even talked about McCain and the Keating 5 scandal which could have ruined him. I don't really think the media rigged the election although they did influence many people. The media needs to stop focusing on controversy and entertainment and talk about the issues.

Prelude to Foundation Chapter 8 Sunmaster

SUNMASTER FOURTEEN-†¦ A leader of the Mycogen Sector of ancient Trantor†¦ As is true of all the leaders of this ingrown sector, little is known of him. That he plays any role at all in history is due entirely to his interrelationship with Hari Seldon in the course of The Flight†¦ Encyclopedia Galactica 35. There were just two seats behind the compact pilot compartment and when Seldon sat down on padding that gave slowly beneath him meshed fabric came forward to encircle his legs, waist, and chest and a hood came down over his forehead and ears. He felt imprisoned and when he turned to his left with difficulty-and only slightly-he could see that Dors was similarly enclosed. The pilot took his own seat and checked the controls. Then he said, â€Å"I'm Endor Levanian, at your service. You're enmeshed because there will be a considerable acceleration at lift-off. Once we're in the open and flying, you'll be released. You needn't tell me your names. It's none of my business.† He turned in his seat and smiled at them out of a gnomelike face that wrinkled as his lips spread outward. â€Å"Any psychological difficulties, youngsters?† Dors said lightly, â€Å"I'm an Outworlder and I'm used to flying.† â€Å"That is also true for myself,† said Seldon with a bit of hauteur. â€Å"Excellent, youngsters. Of course, this isn't your ordinary air-jet and you may not have done any night flying, but I'll count on you to bear up.† He was enmeshed too, but Seldon could see that his arms were entirely free. A dull hum sounded inside the jet, growing in intensity and rising in pitch. Without actually becoming unpleasant, it threatened to do so and Seldon made a gesture as though to shake his head and get the sound out of his ears, but the attempt to do so merely seemed to stiffen the hold of the head-mesh. The jet then sprang (it was the only verb Seldon could find to describe the event) into the air and he found himself pushed hard against the back and bottom of his seat. Through the windshield in front of the pilot, Seldon saw, with a twinge of horror, the flat rise of a wall-and then a round opening appear in that wall. It was similar to the hole into which the air-taxi had plunged the day he and Hummin had left the Imperial Sector, but though this one was large enough for the body of the jet, it certainly did not leave room for the wings. Seldon's head turned as far to the right as he could manage and did so just in time to see the wing on his side wither and collapse. The jet plunged into the opening and was seized by the electromagnetic field and hurtled along a lighted runnel. The acceleration was constant and there were occasional clicking noises that Seldon imagined might be the passing of individual magnets. And then, in less than ten minutes, the jet was spewed out into the atmosphere, headlong into the sudden pervasive darkness of night. The jet decelerated as it passed beyond the electromagnetic field and Seldon felt himself flung against the mesh and plastered there for a few breathless moments. Then the pressure ceased and the mesh disappeared altogether. â€Å"How are you, youngsters?† came the cheerful voice of the pilot. â€Å"I'm not sure,† said Seldon. He turned to Dors. â€Å"Are you all right?† â€Å"Certainly,† she answered. â€Å"I think Mr. Levanian was putting us through his paces to see if we were really Outworlders. Is that so, Mr. Levanian?† â€Å"Some people like excitement,† said Levanian. â€Å"Do you?† â€Å"Within limits,† said Dors. Then Seldon added approvingly, â€Å"As any reasonable person would admit.† Seldon went on. â€Å"It might have seemed less humorous to you, sir, if you had ripped the wings off the jet.† â€Å"Impossible, sir. I told you this is not your ordinary air-jet. The wings are thoroughly computerized. They change their length, width, curvature, and overall shape to match the speed of the jet, the speed and direction of the wind, the temperature, and half a dozen other variables. The wings wouldn't tear off unless the jet itself was subjected to stresses that would splinter it.† There was a spatter against Seldon's window. He said, â€Å"It's raining.' â€Å"It often is,† said the pilot. Seldon peered out the window. On Helicon or on any other world, there would have been lights visible-the illuminated works of man. Only on Trantor would it be dark. Well, not entirely. At one point he saw the flash of a beacon light. Perhaps the higher reaches of Upperside had warning lights. As usual, Dors took note of Seldon's uneasiness. Patting his hand, she said, â€Å"I'm sure the pilot knows what he's doing, Hari.† â€Å"I'll try to be sure of it, too, Dors, but I wish he'd share some of that knowledge with us,† Seldon said in a voice loud enough to be overheard. â€Å"I don't mind sharing,† said the pilot. â€Å"To begin with, we're heading up and we'll be above the cloud deck in a few minutes. Then there won't be any rain and we'll even see the stars.† He had timed the remark beautifully, for a few stars began to glitter through the feathery cloud remnants and then all the rest sprang into brightness as the pilot flicked off the lights inside the cabin. Only the dim illumination of his own instrument panel remained to compete, and outside the window the sky sparkled brightly. Dors said, â€Å"That's the first time in over two years that I've seen the stars. Aren't they marvelous? They're so bright-and there are so many of them.† The pilot said, â€Å"Trantor is nearer the center of the Galaxy than most of the Outworlds.† Since Helicon was in a sparse corner of the Galaxy and its star field was dim and unimpressive, Seldon found himself speechless. Dors said, â€Å"How quiet this flight has become.† â€Å"So it is,† said Seldon. â€Å"What powers the jet, Mr. Levanian?† â€Å"A microfusion motor and a thin stream of hot gas.† â€Å"I didn't know we had working microfusion air-jets. They talk about it, but-â€Å" â€Å"There are a few small ones like this. So far they exist only on Trantor and are used entirely by high government officials.† Seldon said, â€Å"The fees for such travel must come high.† â€Å"Very high, sir.† â€Å"How much is Mr. Hummin being charged, then?† â€Å"There's no charge for this flight. Mr. Hummin is a good friend of the company who owns these jets.† Seldon grunted. Then he asked, â€Å"Why aren't there more of these microfusion air-jets?† â€Å"Too expensive for one thing, sir. Those that exist fulfill all the demand.† â€Å"You could create more demand with larger jets.† â€Å"Maybe so, but the company has never managed to make microfusion engines strong enough for large air-jets.† Seldon thought of Hummin's complaint that technological innovation had declined to a low level. â€Å"Decadent,† he murmured. â€Å"What?† said Dors. â€Å"Nothing,† said Seldon. â€Å"I was just thinking of something Hummin once said to me.† He looked out at the stars and said, â€Å"Are we moving westward, Mr. Levanian?† â€Å"Yes, we are. How did you know?† â€Å"Because I thought that we would see the dawn by now if we were heading east to meet it.† But dawn, pursuing the planet, finally caught up with them and sunlight-real sunlight brightened the cabin walls. It didn't last long, however, for the jet curved downward and into the clouds. Blue and gold vanished and were replaced by dingy gray and both Seldon and Dors emitted disappointed cries at being deprived of even a few more moments of true sunlight. When they sank beneath the clouds, Upperside was immediately below them and its surface-at least at this spot-was a rolling mixture of wooded grottos and intervening grassland. It was the sort of thing Clowzia had told Seldon existed on Upperside. Again there was little time for observation, however. An opening appeared below them, rimmed by lettering that spelled MYCOGEN. They plunged in. 36. They landed at a jetport that seemed deserted to Seldon's wondering eyes. The pilot, having completed his task, shook hands with both Hari and Dors and took his jet up into the air with a rush, plunging it into an opening that appeared for his benefit. There seemed, then, nothing to do but wait. There were benches that could seat perhaps a hundred people, but Seldon and Dors Venabili were the only two people around. The port was rectangular, surrounded by walls in which there must be many tunnels that could open to receive or deliver jets, but there were no jets present after their own had departed and none arrived while they waited. There were no people arriving or any indications of habitation; the very life hum of Trantor was muted. Seldon felt this aloneness to be oppressive. He turned to Dors and said, â€Å"What is it that we must do here? Have you any idea?† Dors shook her head. â€Å"Hummin told me we would be met by Sunmaster Fourteen. I don't know anything beyond that.† â€Å"Sunmaster Fourteen? What would that be?† â€Å"A human being, I presume. From the name I can't be certain whether it would be a man or a woman.† â€Å"An odd name.† â€Å"Oddity is in the mind of the receiver. I am sometimes taken to be a man by those who have never met me.† â€Å"What fools they must be,† said Seldon, smiling. â€Å"Not at all. Judging from my name, they are justified. I'm told it is a popular masculine name on various worlds.† â€Å"I've never encountered it before.† â€Å"That's because you aren't much of a Galactic traveler. The name ‘Hari' is common enough everywhere, although I once knew a woman named ‘Hare,' pronounced like your name but spelled with an ‘e.' In Mycogen, as I recall, particular names are confined to families-and numbered.† â€Å"But Sunmaster seems so unrestrained a name.† â€Å"What's a little braggadocio? Back on Cinna, ‘Dors' is from an Old local expression meaning ‘spring gift.' â€Å" â€Å"Because you were born in the spring?† â€Å"No. I first saw the light of day at the height of Cinna's summer, but the name struck my people as pleasant regardless of its traditional-and largely forgotten-meaning.† â€Å"In that case, perhaps Sunmaster-â€Å" And a deep, severe voice said, â€Å"That is my name, tribesman.† Seldon, startled, looked to his left. An open ground-car had somehow drawn close. It was boxy and archaic, looking almost like a delivery wagon. In it, at the controls, was a tall old man who looked vigorous despite his age. With stately majesty, he got out of the ground-car. He wore a long white gown with voluminous sleeves, pinched in at the wrists. Beneath the gown were soft sandals from which the big toe protruded, while his head, beautifully shaped, was completely hairless. He regarded the two calmly with his deep blue eyes. He said, â€Å"I greet you, tribesman.† Seldon said with automatic politeness, â€Å"Greetings, sir.† Then, honestly puzzled, he asked, â€Å"How did you get in?† â€Å"Through the entrance, which closed behind me. You paid little heed.† â€Å"I suppose we didn't. But then we didn't know what to expect. Nor do we now.† â€Å"Tribesman Chetter Hummin informed the Brethren that there would be members from two of the tribes arriving. He asked that you be cared for.† â€Å"Then you know Hummin.† â€Å"We do. He has been of service to us. And because he, a worthy tribesman, has been of service to us, so must we be now to him. There are few who come to Mycogen and few who leave. I am to make you secure, give you houseroom, see that you are undisturbed. You will be safe here.† Dors bent her head. â€Å"We are grateful, Sunmaster Fourteen.† Sunmaster turned to look at her with an air of dispassionate contempt. â€Å"I am not unaware of the customs of the tribes,† he said. â€Å"I know that among them a woman may well speak before being spoken to. I am therefore not offended. I would ask her to have a care among others of the Brethren who may be of lesser knowledge in the matter.† â€Å"Oh really?† said Dors, who was clearly offended, even if Sunmaster was not. â€Å"In truth,† agreed Sunmaster. â€Å"Nor is it needful to use my numerical identifier when I alone of my cohort am with you. ‘Sunmaster' will be sufficient.-Now I will ask you to come with me so that we may leave this place which is of too tribal a nature to comfort me.† â€Å"Comfort is for all of us,† said Seldon, perhaps a little more loudly than was necessary, â€Å"and we will not budge from this place unless we are assured that we will not be forcibly bent to your liking against our own natures. It is our custom that a woman may speak whenever she has something to say. If you have agreed to keep us secure, that security must be psychological as well as physical.† Sunmaster gazed at Seldon levelly and said, â€Å"You are bold, young tribesman. Your name?† â€Å"I am Hari Seldon of Helicon. My companion is Dors Venabili of Cinna.† Sunmaster bowed slightly as Seldon pronounced his own name, did not move at the mention of Dors's name. He said, â€Å"I have sworn to Tribesman Hummin that we will keep you safe, so I will do what I can to protect your woman companion in this. If she wishes to exercise her impudence, I will do my best to see that she is held guiltless.-Yet in one respect you must conform.† And he pointed, with infinite scorn, first to Seldon's head and then to Dors's. â€Å"What do you mean?† said Seldon. â€Å"Your cephalic hair.† â€Å"What about it?† â€Å"It must not be seen.† â€Å"Do you mean we're to shave our heads like you? Certainly not.† â€Å"My head is not shaven, Tribesman Seldon. I was depilated when I entered puberty, as are all the Brethren and their women.† â€Å"If we're talking about depilation, then more than ever the answer is no-never.† â€Å"Tribesman, we ask neither shaving nor depilation. We ask only that your hair be covered when you are among us.† â€Å"How?† â€Å"I have brought skincaps that will mold themselves to your skulls, together with strips that will hide the superoptical patches the eyebrows. You will wear them while with us. And of course, Tribesman Seldon, you will shave daily-or oftener if that becomes necessary.† â€Å"But why must we do this?† â€Å"Because to us, hair on the head is repulsive and obscene.† â€Å"Surely, you and all your people know that it is customary for others, in all the worlds of the Galaxy, to retain their cephalic hair.† â€Å"We know. And those among us, like myself, who must deal with tribesmen now and then, must witness this hair. We manage, but it is unfair to ask the Brethren generally to suffer the sight.† Seldon said, â€Å"Very well, then, Sunmaster-but tell me. Since you are born with cephalic hair, as all of us are and as you all retain it visibly till puberty, why is it so necessary to remove it? Is it just a matter of custom or is there some rationale behind it?† And the old Mycogenian said proudly, â€Å"By depilation, we demonstrate to the youngster that he or she has become an adult and through depilation adults will always remember who they are and never forget that all others are but tribesmen.† He waited for no response (and, in truth, Seldon could think of none) but brought out from some hidden compartment in his robe a handful of thin bits of plastic of varying color, stared keenly at the two faces before him, holding first one strip, then another, against each face. â€Å"The colors must match reasonably,† he said. â€Å"No one will be fooled into thinking you are not wearing a skincap, but it must not be repulsively obvious.† Finally, Sunmaster gave a particular strip to Seldon and showed him how it could be pulled out into a cap. â€Å"Please put it on, Tribesman Seldon,† he said. â€Å"You will find the process clumsy at first, but you will grow accustomed to it.† Seldon put it on, but the first two times it slipped off when he tried to pull it backward over his hair. â€Å"Begin just above your eyebrows,† said Sunmaster. His fingers seemed to twitch, as though eager to help. Seldon said, suppressing a smile, â€Å"Would you do it for me?† And Sunmaster drew back, saying, almost in agitation, â€Å"I couldn't. I would be touching your hair.† Seldon managed to hook it on and followed Sunmaster's advice, in pulling it here and there until all his hair was covered. The eyebrow patches fitted on easily. Dors, who had watched carefully, put hers on without trouble. â€Å"How does it come off?† asked Seldon. â€Å"You have but to find an end and it will peel off without trouble. You will find it easier both to put on and take off if you cut your hair shorter.† â€Å"I'd rather struggle a bit,† said Seldon. Then, turning to Dors, he said in a low voice, â€Å"You're still pretty, Dors, but it does tend to remove some of the character from your face.† â€Å"The character is there underneath just the same,† she answered. â€Å"And I dare say you'll grow accustomed to the hairless me.† In a still lower whisper, Seldon said, â€Å"I don't want to stay here long enough to get accustomed to this.† Sunmaster, who ignored, with visible haughtiness, the mumblings among mere tribesmen, said, â€Å"If you will enter my ground-car, I will now take you into Mycogen.† 37. â€Å"Frankly,† whispered Dors, â€Å"I can scarcely believe I'm on Trantor.† â€Å"I take it, then, you've never seen anything like this before?† said Seldon. â€Å"I've only been on Trantor for two years and I've spent much of my time at the University, so I'm not exactly a world traveler. Still, I've been here and there and I've heard of this and that, but I've never seen or heard of anything like this. The sameness.† Sunmaster drove along methodically and without undue haste. There were other wagonlike vehicles in the roadway, all with hairless men at the controls, their bald pates gleaming in the light. On either side there were three-story structures, unornamented, all lines meeting at right angles, everything gray in color. â€Å"Dreary,† mouthed Dors. â€Å"So dreary.† â€Å"Egalitarian,† whispered Seldon. â€Å"I suspect no Brother can lay claim to precedence of any obvious kind over any other.† There were many pedestrians on the walkways as they passed. There were no signs of any moving corridors and no sound of any nearby Expressway. Dors said, â€Å"I'm guessing the grays are women.† â€Å"Its hard to tell,† said Seldon. â€Å"The gowns hide everything and one hairless head is like another.† â€Å"The grays are always in pairs or with a white. The whites [also] walk alone and Sunmaster is a white.† â€Å"You may be right.† Seldon raised his voice. â€Å"Sunmaster, I am curious.† â€Å"If you are, then ask what you wish, although I am by no means required to answer.† â€Å"We seem to be passing through a residential area. There are no signs of business establishments, industrial areas-â€Å" â€Å"We are a farming community entirely. Where are you from that you do not know this?† â€Å"You know I am an Outworlder,† Seldon said stiffly. â€Å"I have been on Trantor for only two months.† â€Å"Even so.† â€Å"But if you are a farming community, Sunmaster, how is it that we have passed no farms either?† â€Å"On lower levels,† said Sunmaster briefly. â€Å"Is Mycogen on this level entirely residential, then?† â€Å"And on a few others. We are what you see. Every Brother and his family lives in equivalent quarters; every cohort in its own equivalent community; all have the same ground-car and all Brothers drive their own. There are no servants and none are at ease through the labor of others. None may glory over another.† Seldon lifted his shielded eyebrows at Dors and said, â€Å"But some of the people wear white, while some wear gray.† â€Å"That is because some of the people are Brothers and some are Sisters.† â€Å"And we?† â€Å"You are a tribesman and a guest. You and your†-he paused and then said-â€Å"companion will not be bound by all aspects of Mycogenian life. Nevertheless, you will wear a white gown and your companion will wear a gray one and you will live in special guest quarters like our own.† â€Å"Equality for all seems a pleasant ideal, but what happens as your numbers increase? Is the pie, then, cut into smaller pieces?† â€Å"There is no increase in numbers. That would necessitate an increase in area, which the surrounding tribesmen would not allow, or a change for the worse in our way of life.† â€Å"But if-† began Seldon. Sunmaster cut him off. â€Å"It is enough, Tribesman Seldon. As I warned you, I am not compelled to answer. Our task, which we have promised our friend Tribesman Hummin, is to keep you secure as long as you do not violate our way of life. That we will do, but there it ends. Curiosity is permitted, but it wears out our patience quickly if persisted in.† Something about his tone allowed no more to be said and Seldon chafed. Hummin, for all his help, had clearly mis-stressed the matter. It was not security that Seldon sought. At least, not security alone. He needed information too and without that he could not-and would not-stay here. 38. Seldon looked with some distress at their quarters. It had a small but individual kitchen and a small but individual bathroom. There were two narrow beds, two clothes closets, a table, and two chairs. In short there was everything that was necessary for two people who were willing to live under cramped conditions. â€Å"We had an individual kitchen and bathroom at Cinna,† said Dors with an air of resignation. â€Å"Not I,† said Seldon. â€Å"Helicon may be a small world, but I lived in a modern city. Community kitchens and bathrooms.-What a waste this is. You might expect it in a hotel, where one is compelled to make a temporary stay, but if the whole sector is like this, imagine the enormous number and duplications of kitchens and bathrooms.† â€Å"Part of the egalitarianism, I suppose,† said Dors. â€Å"No fighting for favored stalls or for faster service. The same for everyone.† â€Å"No privacy either. Not that I mind terribly, Dors, but you might and I don't want to give the appearance of taking advantage. We ought to make it clear to them that we must have separate rooms-adjoining but separate.† Dors said, â€Å"I'm sure it won't work. Space is at a premium and I think they are amazed by their own generosity in giving us this much. We'll just make do, Hari. We're each old enough to manage. I'm not a blushing maiden and you'll never convince me that you're a callow youth.† â€Å"You wouldn't be here, were it not for me.† â€Å"What of it? It's an adventure.† â€Å"All right, then. Which bed will you take? Why don't you take the one nearer the bathroom?† He sat down on the other. â€Å"There's something else that bothers me. As long as we're here, we're tribespeople, you and I, as is even Hummin. We're of the other tribes, not their own cohorts, and most things are none of our business.-But most things are my business. That's what I've come here for. I want to know some of the things they know.† â€Å"Or think they know,† said Dors with a historian's skepticism. â€Å"I understand they have legends that are supposed to date back to primordial times, but I can't believe they can be taken seriously.† â€Å"We can't know that until we find out what those legends are. Are there no outside records of them?† â€Å"Not that I know of. These people are terribly ingrown. They're almost psychotic in their inward clinging. That Hummin can break down their barriers somewhat and even get them to take us in is remarkable-really remarkable.† Seldon brooded. â€Å"There has to be an opening somewhere. Sunmaster was surprised-angry, in fact-that I didn't know Mycogen was an agricultural community. That seems to be something they don't want kept a secret.† â€Å"The point is, it isn't a secret. ‘Mycogen' is supposed to be from archaic words meaning ‘yeast producer.' At least, that's what I've been told. I'm not a paleolinguist. In any case, they culture all varieties of microfood-yeast, of course, along with algae, bacteria, multicellular fungi, and so on.† â€Å"That's not uncommon,† said Seldon. â€Å"Most worlds have this microculture. We have some even on Helicon.† â€Å"Not like Mycogen. It's their specialty. They use methods as archaic as the name of their section-secret fertilizing formulas, secret environmental influences. Who knows what? All is secret.† â€Å"Ingrown?† â€Å"With a vengeance. What it amounts to is that they produce protein and subtle flavoring, so that their microfood isn't like any other in the world. They keep the volume comparatively low and the price is skyhigh. I've never tasted any and I'm sure you haven't, but it sells in great quantities to the Imperial bureaucracy and to the upper classes on other worlds. Mycogen depends on such sales for its economic health, so they want everyone to know that they are the source of this valuable food. That, at least, is no secret.† â€Å"Mycogen must be rich, then.† â€Å"They're not poor, but I suspect that it's not wealth they're after. It's protection. The Imperial government protects them because, without them, there wouldn't be these microfoods that add the subtlest flavors, the tangiest spices, to every dish. That means that Mycogen can maintain its odd way of life and be haughty toward its neighbors, who probably find them insupportable.† Dors looked about. â€Å"They live an austere life. There's no holovision, I notice, and no book-films.† â€Å"I noticed one in the closet up on the shelf.† Seldon reached for it, stared at the label, and then said in clear disgust, â€Å"A cookbook.† Dors held out her hand for it and manipulated the keys. It took a while, for the arrangement was not quite orthodox, but she finally managed to light the screen and inspect the pages. She said, â€Å"There are a few recipes, but for the most part this seems to consist of philosophical essays on gastronomy.† She shut it off and turned it round and about. â€Å"It seems to be a single unit. I don't see how one would eject the microcard and insert another. A one-book scanner. Now that's a waste.† â€Å"Maybe they think this one book-film is all anyone needs.† He reached toward the end table that was between the two beds and picked up another object. â€Å"This could be a speaker, except that there's no screen.† â€Å"Perhaps they consider the voice sufficient.† â€Å"How does it work, I wonder?† Seldon lifted it and looked at it from different sides. â€Å"Did you ever see anything like this?† â€Å"In a museum once-if this is the same thing. Mycogen seems to keep itself deliberately archaic. I suppose they consider that another way of separating themselves from the so-called tribesmen that surround them in overwhelming numbers. Their archaism and odd customs make them indigestible, so to speak. There's a kind of perverse logic to all that.† Seldon, still playing with the device, said, â€Å"Whoops! It went on. Or something went on. But I don't hear anything.† Dors frowned and picked up a small felt-lined cylinder that remained behind on the end table. She put it to her ear. â€Å"There's a voice coming out of this,† she said. â€Å"Here, try it.† She handed it to him. Seldon did so and said, â€Å"Ouch! It clips on.† He listened and said, â€Å"Yes, it hurt my ear. You can hear me, I take it.-Yes, this is our room. No, I don't know its number. Dors, have you any idea of the number?† Dors said, â€Å"There's a number on the speaker. Maybe that will do.† â€Å"Maybe,† said Seldon doubtfully. Then he said into the speaker, â€Å"The number on this device is 6LT-3648A. Will that do?-Well, where do I find out how to use this device properly and how to use the kitchen, for that matter?-What do you mean, ‘It all works the usual way?' That doesn't do me any good. See here, I'm a†¦ a tribesman, an honored guest. I don't know the usual way.-Yes, I'm sorry about my accent and I'm glad you can recognize a tribesman when you hear one. My name is Hari Seldon.† There was a pause and Seldon looked up at Dors with a longsuffering expression on his face. â€Å"He has to look me up. And I suppose he'll tell me he can't find me.-Oh, you have me? Good! In that case, can you give me the information?-Yes. Yes.-Yes.-And how can I call someone outside Mycogen?-Oh, then what about contacting Sunmaster Fourteen, for instance?-Well, his assistant then, his aide, whatever?-Uh-huh.-Thank you.† He put the speaker down, unhooked the hearing device from his ear with a little difficulty, turned the whole thing off, and said, â€Å"They'll arrange to have someone show us anything we need to know, but he can't promise when that might be. You can't call outside Mycogen-not on this thing anyway-so we couldn't get Hummin if we needed him. And if I want Sunmaster Fourteen, I've got to go through a tremendous rigmarole. This may be an egalitarian society, but there seem to be exceptions that I bet no one will openly admit.† He looked at his watch. â€Å"In any case, Dors, I'm not going to view a cookbook and still less am I going to view learned essays. My watch is still telling University time, so I don't know if it's officially bedtime and at the moment I don't care. We've been awake most of the night and I would like to sleep.† â€Å"That's all right with me. I'm tired too.† â€Å"Thanks. And whenever a new day starts after we've caught up on our sleep, I'm going to ask for a tour of their microfood plantations.† Dors looked startled. â€Å"Are you interested?† â€Å"Not really, but if that's the one thing they're proud of, they should be willing to talk about it and once I get them into a talking mood then, by exerting all my charm, I may get them to talk about their legends too. Personally, I think that's a clever strategy.† â€Å"I hope so,† said Dors dubiously, â€Å"but I think that the Mycogenians will not be so easily trapped.† â€Å"We'll see,† said Seldon grimly. â€Å"I mean to get those legends.† 39. The next morning found Hari using the calling device again. He was angry because, for one thing, he was hungry. His attempt to reach Sunmaster Fourteen was deflected by someone who insisted that Sunmaster could not be disturbed. â€Å"Why not?† Seldon had asked waspishly. â€Å"Obviously, there is no need to answer that question,† came back a cold voice. â€Å"We were not brought here to be prisoners,† said Seldon with equal coldness. â€Å"Nor to starve.† â€Å"I'm sure you have a kitchen and ample supplies of food.† â€Å"Yes, we do,† said Seldon. â€Å"And I do not know how to use the kitchen devices, nor do I know how to prepare the food. Do you eat it raw, fry it, boil it, roast it†¦?† â€Å"I can't believe you are ignorant in such matters.† Dors, who had been pacing up and down during this colloquy, reached for the device and Seldon fended her off, whispering, â€Å"He'll break the connection if a woman tries to speak to him.† Then, into the device, he said more firmly than ever, â€Å"What you believe or don't believe doesn't matter to me in the least. You send someone here-someone who can do something about our situation-or when I reach Sunmaster Fourteen, as I will eventually, you will pay for this.† Nevertheless, it was two hours before someone arrived (by which time Seldon was in a state of savagery and Dors had grown rather desperate in her attempt to soothe him). The newcomer was a young man whose bald pate was slightly freckled and who probably would have been a redhead otherwise. He was bearing several pots and he seemed about to explain them when he suddenly looked uneasy and turned his back on Seldon in alarm. â€Å"Tribesman,† he said, obviously agitated. â€Å"Your skincap is not well adjusted.† Seldon, whose impatience had reached the breaking point, said, â€Å"That doesn't bother me.† Dors, however, said, â€Å"Let me adjust it, Hari. It's just a bit too high here on the left side.† Seldon then growled, â€Å"You can turn now, young man. What is your name?† â€Å"I am Graycloud Five,† said the Mycogenian uncertainly as he turned and looked cautiously at Seldon. â€Å"I am a novitiate. I have brought a meal for you.† He hesitated. â€Å"From my own kitchen, where my woman prepared it, tribesman.† He put the pots down on the table and Seldon raised one lid and sniffed the contents suspiciously. He looked up at Dors in surprise. â€Å"You know, it doesn't smell bad.† Dors nodded. â€Å"You're right. I can smell it too.† Graycloud said, â€Å"It's not as hot as it ought to be. It cooled off in transport. You must have crockery and cutlery in your kitchen.† Dors got what was needed, and after they had eaten, largely and a bit greedily, Seldon felt civilized once more. Dors, who realized that the young man would feel unhappy at being alone with a woman and even unhappier if she spoke to him, found that, by default, it fell to her to carry the pots and dishes into the kitchen and wash them-once she deciphered the controls of the washing device. Meanwhile, Seldon asked the local time and said, somewhat abashed, â€Å"You mean it's the middle of the night?† â€Å"Indeed, tribesman,† said Graycloud. â€Å"That's why it took a while to satisfy your need.† Seldon understood suddenly why Sunmaster could not be disturbed and thought of Graycloud's woman having to be awakened to prepare him a meal and felt his conscience gnaw at him. â€Å"I'm sorry,† he said. â€Å"We are only tribespeople and we didn't know how to use the kitchen or how to prepare the food. In the morning, could you have someone arrive to instruct us properly?† â€Å"The best I can do, tribesmen,† said Graycloud placatingly, â€Å"is to have two Sisters sent in. I ask your pardon for inconveniencing you with feminine presence, but it is they who know these things.† Dors, who had emerged from the kitchen, said (before remembering her place in the masculine Mycogenian society), â€Å"That's fine, Graycloud. We'd love to meet the Sisters.† Graycloud looked at her uneasily and fleetingly, but said nothing. Seldon, convinced that the young Mycogenian would, on principle, refuse to have heard what a woman said to him, repeated the remark. â€Å"That's fine, Graycloud. We'd love to meet the Sisters.† His expression cleared at once. â€Å"I will have them here as soon as it is day.† When Graycloud had left, Seldon said with some satisfaction, â€Å"The Sisters are likely to be exactly what we need.† â€Å"Indeed? And in what way, Hari?† asked Dors. â€Å"Well, surely if we treat them as though they are human beings, they will be grateful enough to speak of their legends.† â€Å"If they know them,† said Dors skeptically. â€Å"Somehow I have no faith that the Mycogenians bother to educate their women very well.† 40. The Sisters arrived some six hours later after Seldon and Dors had slept some more, hoping to readjust their biological clocks. The Sisters entered the apartment shyly, almost on tiptoe. Their gowns (which, it turned out, were termed â€Å"kirtles† in the Mycogenian dialect) were soft velvety gray, each uniquely decorated by a subtle pattern of fine, darker gray webbing. The kirtles were not entirely unattractive, but they were certainly most efficient at covering up any human feature. And, of course, their heads were bald and their faces were devoid of any ornamentation. They darted speculative glances at the touch of blue at the corners of Dors's eyes and at the slight red stain at the corners of her lips. For a few moments, Seldon wondered how one could be certain that the Sisters were truly Sisters. The answer came at once with the Sisters' politely formal greetings. Both twittered and chirped. Seldon, remembering the grave tones of Sunmaster and the nervous baritone of Graycloud, suspected that women, in default of obvious sexual identification, were forced to cultivate distinctive voices and social mannerisms. I'm Raindrop Forty-Three,† twittered one, â€Å"and this is my younger sister.† â€Å"Raindrop Forty-Five,† chirped the other. â€Å"We're very strong on ‘Raindrops' in our cohort.† She giggled. â€Å"I am pleased to meet you both,† said Dors gravely, â€Å"but now I must know how to address you. I can't just say ‘Raindrop,' can I?† â€Å"No,† said Raindrop Forty-Three. â€Å"You must use the full name if we are both here.† Seldon said, â€Å"How about just Forty-Three and Forty-Five, ladies?† They both stole a quick glance at him, but said not a word. Dors said softly, â€Å"I'll deal with them, Hari.† Seldon stepped back. Presumably, they were single young women and, very likely, they were not supposed to speak to men. The older one seemed the graver of the two and was perhaps the more puritanical. It was hard to tell from a few words and a quick glance, but he had the feeling and was willing to go by that. Dors said, â€Å"The thing is, Sisters, that we tribespeople don't know how to use the kitchen.† â€Å"You mean you can't cook?† Raindrop Forty-Three looked shocked and censorious. Raindrop Forty-Five smothered a laugh. (Seldon decided that his initial estimate of the two was correct.) Dors said, â€Å"I once had a kitchen of my own, but it wasn't like this one and I don't know what the foods are or how to prepare them.† â€Å"It's really quite simple,† said Raindrop Forty-Five. â€Å"We can show you.† â€Å"We'll make you a good nourishing lunch,† said Raindrop Forty-Three. â€Å"We'll make it for†¦ both of you.† She hesitated before adding the final words. It clearly took an effort to acknowledge the existence of a man. â€Å"If you don't mind,† said Dors, â€Å"I would like to be in the kitchen with you and I would appreciate it if you'd explain everything exactly. After all, Sisters, I can't expect you to come here three times a day to cook for us.† â€Å"We will show you everything,† said Raindrop Forty-Three, nodding her head stiffly. â€Å"It may be difficult for a tribeswoman to learn, however. You wouldn't have the†¦ feeling for it.† â€Å"I shall try,† said Dors with a pleasant smile. They disappeared into the kitchen. Seldon stared after them and tried to work out the strategy he intended to use.